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It was carefully stylized and outlandishly flamboyant.
But it was the 1935 film Estudantes that seemed to solidify her in the minds of the movie-going public.
The marriage was a burden in her life; he only married her for her money.
He did not like our family”.[cite this quote]Miranda made a total of fourteen Hollywood films between 19 and was dubbed “The Brazilian Bombshell”. Her Hollywood image was one of a generic Latinness that blurred the distinctions between Brazil, Portugal, Argentina, and Mexico as well as between samba, tango and habanera.
Her father did not approve of her plans to enter show business.
However, her mother supported her and was beaten when her husband discovered Carmen had auditioned for a radio show.
In 1930, she was known to be Brazil’s gem singer, and in 1933 went on to sign a two-year contract with Rádio Mayrink Veiga – becoming the first contract singer in the radio industry history of Brazil.
In 1934, she was invited as a guest performer in Radio Belgrano in Buenos Aires. Ultimately, Miranda wound up with a recording contract with RCA Records.
During a visit to Brazil in 1940, Miranda was heavily criticized for giving in to American commercialism and projecting a false image of Brazil.
She responded with the Portuguese language song “Disseram que Voltei Americanizada“, or “They Say I’ve Come Back Americanized.” Another song, “Bananas is My Business,” was based on a line in one of her movies and directly addressed her image.
Miranda went to work in a tie shop at age 14 to help pay her sister’s medical bills.
She next worked in a boutique, where she learned to make hats and opened her own hat business which became profitable.
She pursued a career as a samba singer for ten years before she was invited to New York City to perform in a show on Broadway.